Back to art:
Here is the heartroot!
And a side view to get a better sence of the depth and crustiness of the thing.
And a tiny beading tutorial.
Position One , on the far left there, is a stack: string two pony beads, (size 8), and then a seed bead, (size 11), pull the beads all the way down the thread until they rest against the fabric and go back through the two pony beads - NOT the seed bead - and down into the fabric. (One may stack up as many beads as one likes.)
Position Two, is what I have been calling a jump: string 6 seed beads and go back into the fabric a short distance away. The closer that you go back into the fabric , then the taller the "jump" will be.
Position Three, is a pony bead on its side - just a bit more height than a seed bead. I was trying to go from a low profile near the brick colored seed bead edge to a higher mound in the center of each root finger, the pony was a good first stage.
Position Four is that single seed bead which I also used as a filler.
Position Five is another stack: this is a stack of 6 seed beads and behind the front line of techniques is a stack in progress showing how you come back through all of the beads except one.
Sigh. Beads sure do make me happy. Oh! Y'know, I just remembered: on my 40th birthday, (which was a toughie for me, 50 was easier, just like Judy told me - that it is one or the other that gets you, but not both - anyway, on that birthday I only asked for beads. The giver's choice. It was great! I received beads that I might not have bought for myself but that have been terrific additions to many a project.
Remind me to tell you about Rudy and the chispas. Might explain my bead happiness.
R
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