
The letter A. I am working on a Hawaiian mini quilt design to day to maybe, maybe teach this fall if I am not too late. Maybe I will have it far enough along tomorrow to show to you. See you then - R


This is an ATC from the first lesson in the book. It is a magazine photo collage, which is what we did at our first Library Swap meeting in February, but this one has a bit of a twist in that I was just looking for blues to make my background. I liked the words on the teatag, which I added later and they fit well with the globe that I had found and the "YOUR NAME HERE" that I cut from one of those fake credit cards one gets in her junk mail.
If you would like notification about the book, or the Library Swaps, or any of the goings on in my studio, to come directly to your email inbox please go sign up at http://groups.yahoo.com/group/Robinsunne It is REALLY easy: click this link here, and then click JOIN on that page. Give them your whereabouts and you're in. Never miss a workshop, or an opening!
See you tomorrow, here or there - R

See you soon.
R


Another metal tape ATC.
Have a great day. I hope that you have lots of art in it! (I don't think that I have ever been on the radio before. Oh! My! Goodness!!!! I hope that you will listen in!)

Those ATC's above were made with cutouts from a catalog of garden statues, the backer is from the padded envelope that held my first international internet swap cards, and some other cutouts here and there.
The ATC's below are the "wooden" ones that Iris and I swapped this week. I put the directions for how to make this wooden paper on my website - the ATC page http://robinsunne.com That is gold ink marker drawings on top.

Here is a close-up of one of them:
And lastly for today is an ATC with a hand drawn face, a version of a "zetti" face, (you can google that if you are curious), a postage stamp with a clock because "The moment you love, you are unlimited.", the teatag saying, and some lucky numbers because lucky numbers are pretty unlimited too.
This photo is low resolution, and so you don't get, quite, that I covered it with that glass bead acrylic gel medium that I talked about yesterday: dickblick.com The backing is torn strips of very pretty origami paper, all glued down in its raggedy edged glory.
And so that is my story for today. Have a lovely, artful day. And DO ask me for an ATC if you see me today!
I have about three of these boards full of ATC's!Now there is a big yell-y, nag-y voice in my head that is using words like" glutton" and "shame" ... >sigh< (I clearly have some work to do here.) But I want to tell you that, nevermind the very old and outdated tapes in my brain, (who is stripping those reel-to-reels as we speak), I am finding this to be a great way to make ATC's!
This is what I did: I made big background papers - remember that brown paper bag paper that I was making? I talked about it here a month or two ago - here's a picture of where I stopped sewing and adding stuff to the big paper:
Well, I glued 2 1/2" x 3 1/2" cardstock to the back of the paper and cut them out - about 9 of them. Then I cut out some phrases and images from a scrapbooking collection that I had, and found some great quotes in an old farmer's almanac. I glued everything down with some netting strips, using, our favorite: acrylic gel medium. Here are some from that bunch:
I did that with a couple of different background methods: tearing strips of pastel printed origami papers and gluing those down, raggedy edges and all, then drawing little zetti women and gluing those with some messages from teatags I have collected; painting a kleenex onto a piece of cardstock with ochre paint - letting it get all wrinkly - and then experimenting with a red drybrush technique over the top of that, cutouts glued on top of that and gold pen borders, (which look awesome next to the red).
The result of making many cards at once, all of the same background, is that the specialness goes out of it and I felt free-er to experiment - - - resulting in some really delightful cards. And those which were less successful I was fine with regluing or changing. I let go of the pressure to make REALLY PRETTY CARDS and just had fun ... which I think comes through in mostly every card.
I wanted to make so many because I want to pass them out to advertise the swap at the Rockport Library on Wednesday. I will be carrying them with me on Monday, Tuesday, and Wednesday - ask for one if you see me!
And speaking of the swap, I just want to advertise what a cool library this is, with a very wonderful Librarian - Molly - and a bunch of other fabulous librarians too - Iris, Jane. I mean, imagine: letting a bunch of artist loose in your library every month, actually inviting us in! Imagine being a librarian and spending your downtime at the desk making little scissors-paper-glue confections to advertise the fact that you are inviting a bunch of artists into your midst. Molly has even bought some new, ATC related books for the stacks, (and in April we are celebrating National Poetry Month by ransacking - gently - the stacks for poems for our ATC's!). For a whole year we have been invited to make art and make friends at the Library!
How fab is that? Very. Thank you Molly.
I am off to go paint something with glass bead gel medium. I'm not kidding: try dickblick.com It looks a-maz-ing when it dries.

These are paper ones.I would like to show you some of the ATC's that I have made to date:
The one on the right has an image from an old book of postal stamps that I enlarged a lot. It is shiny with acrylic gloss medium on it as both glue and finish. The one on the left is drawn with markers on watercolor paper.
This one also has acrylic medium on it, with stickers - the houses - and sticky letters. I get outraged at the CEO's of corporations who spill their pollution everywhere. Though here I am using plastic gel meduim and plastic coated stickers... sigh ...
These two are from a series on trauma. I was thinking that when people are first coming out of a traumatic event - international terrorism, natural catastrophies, domestic violence, any of it, that it is tough to gather the brain power to even ask for help. So I got to thinking about what we all can do to help each other. These cards were one background at first, painted/drawn with Portfolio brand oil pastels - think watercolor pencils, only lusher! I worked on pretty heavy weight watercolor paper, and when the painting was done it looked like a storm at sea. Good background for trauma recovery theme. I cut the painting into regulation ATC sizes and added words. The big letters are stick on, and the handwriting was done in permanent marker.
I went to the funeral, yesterday, of a woman who was a remarkable teacher on the subject of trauma recovery. For years she taught, well, life skills to people who had not managed to learn them elsewhere, things as basic as how to hold a conversation and make it true. Bitsa taught us how to see the child of "God" in everyone, even ourselves. She just pointed a whole lot of us in the correct general direction. May I just say, here, Goddess Bless Bitsa Hoag Turner and her family in this time of transition. My love to you all.
And here are the Guardians, corporeal images of the ones which make it possible for us each to find what we need. Thank you.
(Here's a fun link as a treat for your inner - or outer - child: http://countdown.tentwostudios.com )



Slanting from the upper middle across that right hand corner there are stack of seed beads, (see tutorial below, back in November, I think), surrounding chips cut from those fake credit cards that the banks send you hoping that you will go in debt to them soon. Because there is so much silver and blue here in the sky, I cut the silver printed fake numbers from blue background cards and GLUED them down with a bit of dimensional paint, (don't be shocked that I didn't sew them - I didn't want bead or thread to distract from the shine and detail of the numbers). (Hmmm, do I have some agenda, even elitist agenda about stitching down everything?? I'll ponder that.) (Google "slow art". Lots of talk about that recently.)
Just below that section, and again in the photo below, you'll see these great clear plastic/wire spirals. These are made from the wire with which some toys are affixed to their packaging. Also in these pictures you can see that silver swirl which is silver, (candy wrapper), paper cut to size and also glued down.
Credit card parts, packaging wires and candy wrappers are the "trash" embellishments on October Bird. I am going to enter Ms. Bird in a nature/art show at Waterfall Arts in Belfast Maine. Try www.waterfallarts.org/ February or March I think. Meredith said that they are thinking that they might have hundreds - 1500!! - of entries, all less than 12" x 12". It will be art about our human footprint on Earth. By putting throw-a-way trash into my pieces I hope to keep how much we toss - that is NOT bio-degradeable - into my/our minds. We have choices.
Paul McGurren is writing a dismal/brilliant series of articles about what we put into our landfills, and how it all gets processed. Try http://freepressonline.com/ Yuk!, but fascinating and abominable and gross and very brave of Paul. If we don't talk about it we won't have access to our healing imaginations. There must be a better way. I am not sure that we can make art of it all - though I do my best.
Well, I am off to work on Valentines. I will show you how I am doing the next time that I write. I ran out of one of my bead colors and will have to see if I can get more next week. I hate that: I go to buy a $4 tube of beads and see about 1000 other beads, and their sisters that would work well too.....$$!! But I'm going to be a good girl this week. At the bead store.

Cool, eh?
I had so much fun doing her.
Next are Valentine's done in the same way: draw on fabric with permanent markers and then bead to my heart's content. Here's a start on Valentine One:
Gotta go. See you soon.



More silver foil. More beading. Though I think that this section is up for revision. I really like how those packed lines of beads look. The original drawing on the cloth has back and forth scribbles to color in these sections, so the beading is reminiscent of that - though you can't really tell as the beads cover up the drawing ... well, anyway.
There are some guys in the latest issue of American Craft that have six foot panels of glass beading. Oh yeah. Steven and William Ladd. My idea of a good time. Hundreds of hours of beading. It wins out over bombing the National Museum in Bagdhad, or inventing Christmas tree lights with "lead and other substances which are known to cause birth defects and cancer. Please wash your hands after handling." I'm not kidding. Go read the packages. Lower right hand corner of the back panel on the box that I saw yesterday. I am so not kidding. The people who invent this stuff? How do they sleep at night?
California has a law that makes manufacturers at least label the boxes with warnings, but what sickness of spirit makes a person approve of the decision to add toxic substances to Christmas Decorations??!! So shall I decorate with gloves on this year, and tell the children not to touch the tree/tree lights? Or shall we skip the lights this year? Maybe I could put little footlights at the bottom of the tree ...
Oh dear...
I'm gonna go back and bead.

What do you think?
I am getting close to done. See up at the top of this picture? That is silver paper. (Chocolate wrapper - fairly traded chocolate I'll have you know.) I just feel so strongly about using reconfigured trash in my pieces; it's pretty, it's free, there's just so much of it! I need something more... the picture isn't quite balanced ... I will go and keep beading. I wish you Monday morning occupations that you love as much as I love mine.

In Her Dark Grace

I Must Change My Mind

Pond Dance

Embroider My Heart With Compassion

First, I pasted the edges of the pages together with acrylic gel medium, and cut a niche into the papers. Well, before the first I perused the book and tore out pages with great drawings; I found pictures of architecture - things we have made - bridges, houses, arch and column styles. I cut these up and pasted them randomly over the inside of the end pages and inside the niche.
Then, with the paper that I had cut from the book I rolled some beads. Ever done that? Over a knitting needle or toothpick roll evenly cut strips of paper until you get a bead of the heft that you like. You can use triangles and get a semblance of round-ish bead, but I wanted tubular beads.
There are the strips with glue on the ends to hold the many strips together, and an experiment with blue acrylic paint and gel medium to see if I could make the blue transparent, and the beads lined up with their pearl and Swarovski crystal spacers. I had also pasted tiny pictures of the history of furniture styles, exampled in chairs over the ages, onto the beads - which I wanted to see through the blue paint.Below, here, I had painted the beads and was drying them - and in the process invented an amazing Bead Drying Rack! I tucked a T-pin through the bead and stuck it into a piece of blue foam insulation board. (I usually paint fabric on these boards, so they are paint ridden anyway.) They let the beads spin around while I painted them, left them open to the air on all sides and I could move the board into a safe place for the hours that they would take to dry. I am so pleased.

Here is a picture of the back end paper - a view of the Pacific Ocean and its encircling land masses - the front end paper has a map of the Atlantic.
And here is the end result! 
You can go here to get to the Rockport, (Maine) Library website for the Out Of Bounds Altered Book Show http://www.rockport.lib.me.us/OutofBoundsAlteredBookProject.php or just come to the Rockport Opera House on Friday evening, Saturday or Sunday to see the show! See you there! R

I have had this YES up on my wall for a while, and now it is time to pass it on. I have listed it for sale at http://robinsunne.etsy.com There are glass, stone, plastic, metal: all manner of little beadlings, about 1/2" of colorful beadifiers.
I learned YES at The Bread and Puppet Circus with my Haystack Mountain School of Crafts class from the summer of 1982. I still have the original small paper poster that first said YES to me. My YES is that I believe myself. That tiny piece of paper told my to hang in there with my dreams.
What is your YES? Let's have a Commenters Drawing: all of the commenters to this post, between now and the end of the month will be put into a hat and I will get one of my children to draw a name and you will win ... well, I will make up some wonderful little goody box of treats. Something will definately have beads on it!
O.K., so what or how is your YES? To whom did you say YES? Let us know...
R



Once again my camera and I have not figured out how close I can get, but let me walk you through.
1. Come up at A, (I came up at the outside edge of the top fabric ). Go down at B, up at C, (1/8" or so inside the edge).
2. Go down at D, up at E, (outside edge).
3. Go down at F, up at G, (inside the edge).
4. Keep repeating 2. and 3. overlapping all of your cross-stitches. This is not a neat stitch, with the angles of the crosses all parallel. No, this is one of those dreaming stitches: your size 12 glides, you meditate, and Goddess takes care of all the angles.
It is doing a great job with all of those fraying edges too.
See ya tomorrow.
R

Most of what I have done is just followed the green lines in the drawing with green beads - an activity that I find extremly satisfying, (or just easy and mindless). But I have also been figuring out some other embellishments:
I have some area beading and some stacks that follow one of the blue lines. After the beads comes the trash. I have some silver papers picked out ...
See you tomorrow.

See those "feather" stitches on her wings? Get it? ... I really love the feeling of thread and beads on fabric. Lovely little Braille-like bumps telling intimate stories.
I have been thinking and talking about our physical beauty. Some people think that our beauty shouldn't be so important. But I keep thinking that often what someone looks like is our first knowledge of a person. Unless we know them in writing - like here on a blog, or an author in her book, or we hear someone on the radio. But as long as sight is one of our active senses, looks are what usually draw us first with the people in our lives. The other senses are more intimate - though maybe sound on the radio, or in a speech in a crowded place is less so - normal talking voices need proximity, touch needs, one hopes, permission, which implies a relationship. Smell requires a moment and nearness, and certainly taste implies relationship, even if you are only sucking the venom out of a snake bite and in the relationship of healer.
So touch is intimate, (I love to sew), and sight is our first knowledge of another. Why wouldn't our looks be important? We lowly humans who have lost much of our awarenesses of psychic skills. All I'm saying is: why fight that? Why shouldn't we train ourselves to use our beauty for whichever good causes we stand for? Dress up, look fabulous, and go speak about Peace, or Kindness to Mother Earth, or Voting. Not that dating isn't important too, but as long as people are being drawn in by the visual - well, why not use the audience to say something important?
Oh, all right. Enough. I am off to sew the sky.

It is 4" x 4" square. There it is all inked up. Below on paper:
And below here it is printed on cloth. Cloth that I printed in Susan Sorrell's class on fabric painting.
See the background shapes? They are paper clips laid over sun dyed fabric. I think that beading this one will be great.
Gotta go, more tomorrow.
Fiber and mixed media artist makes note of her days.